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"You use a glass mirror to see your face; you use works of art to see your soul."

George Bernard Shaw (playwright)

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What’s Up, Doc?

For over 500 years, Albrecht Dürer’s Young Hare has charmed millions. The tiny hare, publicly displayed at Vienna's Albertina Museum for only a few months every decade, draws hordes of art lovers from around the world.

What makes this little fellow so special? Hint: there’s more than meets the eye.

Albrecht Durer, "Young Hare", 1502, watercolor, 9.8 inches x 8.9 inches, Albertina Museum, Vienna.
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In Dürer's age, mythological and biblical themes were all the rage. Woodland creatures like the humble hare were considered second-class subject matter. Artists only sketched animals when they wanted to brush up on their technique.

Young Hare proves that Dürer, a 16th century German artist, had no problems in the technique department. Poised on its haunches, its ears perky and its paws tense, the animal is strikingly life-like. It seems nervous, ready to leap from the scene at any moment.

Dürer’s hare, with its thick, full coat and disgruntled expression, is more than a well-drawn watercolor. It has something that transcends its flesh and fur and continues to amaze viewers today.

Leonardo da Vinci, "Studies of a Dog’s Paw", 1490 – 1495, metalpoint on paper, National Galleries Scotland, Edinburgh.
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That something is staring us right in the face.

Reflected in the creature’s glassy right pupil, almost too small to notice, is a pair of arched windows.

You can't see any pictures ? Contact us on jean@artips.fr

Detail of the hare’s eye. Two small windows are visible in its pupil.

It's a technique Dürer used in his iconic painting, Self-Portrait with Fur-Trimmed Robe, to represent the eye as a ‘window to the soul’. It's Dürer's claim to have captured the spark of life, the soul, which makes his subject one worth painting.

Through his work, Dürer suggests that a skilled artist can transform any subject, even the mundane hare, into a masterpiece.

You can't see any pictures ? Contact us on jean@artips.fr

Detail of Dürer’s eye in his "Self-Portrait with Fur-Trimmed Robe", 1500, limewood, 26.4 inches x 19.3 inchess, Alte Pinakothek, Munich.

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You use a glass mirror to see your face; you use works of art to see your soul.
George Bernard Shaw (playwright)
You can't see any pictures ? Contact us on jean@artips.fr

Albrecht Dürer,"Self-Portrait with Fur-Trimmed Robe", 1500, limewood, 26.4 inches x 19.3 inchess, Alte Pinakothek, Munich.
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WRITTEN BY

Jerome Anselme

Jerome Anselme

APPROVED BY

Gérard Marié

Professor of Art History

JULY'S WINNER!

Jeu Concours

Congratulations un***ej@gmail.com! You won two tickets to a museum exhibition of your choice.

Beginning Monday, the game begins again. Guess six works correctly in August to be entered to win.

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